Each work [by Tripp] becomes a collective Ritual of togetherness and civil disobedience, celebrating opacity and fluid identity as forms of freedom, Infinite Beings and radical dialogic imagination.
Caecilia Tripp's body of work includes film installations, performances, large-scale drawings, sound sculptures and photographic work, which has been shown internationally in galleries and museums such as P.S.1./MOMA Residency, New York, USA; Palais de Tokyo, Paris; Museum of Modern Art Paris, France; Zacheta Gallery, Warsaw, Poland; De Appel, Amsterdam, Netherlands; Roomade, Brussels, Belgium; Museum of Modern Art, Moscow, Russia; Center Of Contemporary Arts, New Orleans, USA; Prospect Biennale 1, New Orleans, USA; Rotunda Gallery, Brooklyn New York, USA; Dakar Biennale; 7th Gwangju Biennale, Gwangju, South Korea; Clark House Initiative, Mumbai, India; Contemporary Art Center of Ivry, Le CREDAC, Paris, France; Steirischer Herbst/Graz, Austria; Showroom, London, UK; Brooklyn Museum, New York, USA; Bronx Museum, New York, USA; PAMM Miami, USA; Sharjah Art Biennial 14; First Toronto Biennial Of Art and AGYU, Toronto, Canada, as well as in Film Festivals such as MOSTRA 61 Film Festival in Venice, Italy.