Caecilia Tripp, Scoring the Black Hole, Installation view, Contemporary Art Center of Ivry, le CREDAC, Paris, France 2016, A Lafayette Production
Caecilia Tripp, Going Space and Other Worlding, Installation view, Art Gallery of York University (AGYU), Toronto 2019. Curated by Emelie Chhangur. Image Courtesy of AGYU. Photo: Yuula Benivolski
Caecilia Tripp, Going Space and Other Worlding, Installation view, Art Gallery of York University (AGYU), Toronto 2019. Curated by Emelie Chhangur. Image Courtesy of AGYU. Photo: Yuula Benivolski
Caecilia Tripp, Going Space and Other Worlding, Installation view, Art Gallery of York University (AGYU), Toronto 2019. Curated by Emelie Chhangur. Image Courtesy of AGYU. Photo: Yuula Benivolski
Caecilia Tripp, Going Space and Other Worlding, Installation view, Art Gallery of York University (AGYU), Toronto 2019. Curated by Emelie Chhangur. Image Courtesy of AGYU. Photo: Yuula Benivolski
Caecilia Tripp, Going Space and Other Worlding, Installation view, Art Gallery of York University (AGYU), Toronto 2019. Curated by Emelie Chhangur. Image Courtesy of AGYU. Photo: Yuula Benivolski
Caecilia Tripp
Performance with 2 amplified roller skaters, 3 musicians, harp / drones & voice, one performer.
Speech (30min), video 2 screen.
Canvas 8,68 x 5,77 m, soundscape.
Further images
Scoring the Black Hole is a celebration of our invisible bonds through a piece of choreography whose score is drawn on a black canvas, as a cosmic musical composition of our irreversible echoes unbound. It brings together the ancient cosmology of the Dogon People from Mali with the future research of String Theory and Black Matter, blurring all of our own opacities.
Costumes: Rick Owens
Harp: Hélène Breschand
Drones: Kerwin Rolland
& Voice: Robert AA Lowe
Performers: Michèle Lamy Laurence Sabas-Richard Jackie Cross
Exhibitions
Contemporary Art Center of Ivry, Le CREDAC, Paris, France 2016
