JOHAN GRIMONPREZ
PUBLICATIONS
Dial H-I-S-T-O-R-Y, with texts
by Hans Ulrich Olbrist, Vrääth Öhner, Slavoj
Zizek, extracts from Don DeLillo's 'Mao II' and 'White Noise',
Hatje CANTZ publishers, Stuttgard; distributed by D.A.P., New
York & Image Forum, Japan, 2003, ISBN 3-7757-1267-4 (DVD
included)
Factor 1997, published
and distributed by FACT, Liverpool, February 2003,
ISBN 0-9541604-0-2
Cream and Sink Emergencies:
Zapping Time, 47 International Short Film Festival Oberhausen,
Germany, pp.85-90, May 3 - 8 2001
INFLIGHT Magazine, Hatje
Cantz publishers, Stuttgart; Distributed by D.A.P., New York,
2000, ISBN 3-7757-0993-2
…We must be over the rainbow!,
Centro Galego Arte Contemporanea, Santiago de Compostela, September
1998 (monography)
Nergensland, Dietsche
Warande & Belfort, Leuven, co-realisation Herman Asselberghs,
October 1997 (Translated in German: Niemandsland,
Videokunst und Kino-Grenzgänge, Filmfoyer, Winterthur,
September 1998)
Vorsicht! Wer Phantom Spielt
wird selbst eins / Prends Garde! A Jouer au fantôme, on
le devient, Centre Georges Pompidou, MNAM, Paris/ Documenta
X, Kassel, co-realisation Herman Asselberghs, 1997
Beware! In Playing the Phantom,
You Become One, Semaine Internationale de Vidéo
Saint-Gervais, Co-realisation Herman Asselberghs, Geneva, 1995
It will be all right if you
come again, only next time don't bring any gear, except a tea
kettle..., Les Expositions du Palais des Beaux Arts,
Brussels, 1994, (monography)
America's Favorite Movie, Interviews
on The Sound of Music, Andere Sinema, Antwerp, May -
June 1994
CONTRIBUTIONS
Johan Grimonprez, in
Interarchive, Walther
König, published by Verlag der Buchhandlung, edited by
Kunstraum der Universität Lüneburg, pp.260-262, Köln,
2002
Independence Day Realtime, in
When words don’t fail, ARTFORUM, p.46, November
2001
A holiday from history and other
real stories, a selection of works by Johan Grimonprez, in JANUS
9/01, Slavoj Zizek, pp.48-56, Antwerp, Autumn 2001
INSERT COMMERCIAL HERE, ADBUSTER,
Vancouver, September - October 2001
Lanscape in Motion, la generazione
delle immagini /5, pp.10-25, Milano, February 2001
Insert SAFETY INSTRUCTION CARD,
Frame 05, Vienna, January - February 2001
Cyberjack-O-Rama in Urban Rumors,
Hans Ulrich Obrist, Mutations,
ACTAR, arc en rêve, Centre d’Architecture, Bordeaux,
November 2000
Barry White in non-gravity space,
SOGNI/DREAMS, Francesco Bonami & Hans-Ulrich Obrist,
Fondazione Sandretto Rebaudengo per l'Arte, Castelvecchi Arte,
Roma, 1999
Fahrenheit 451-the temperature
at which book paper catches fire, and burns, in Think Art, Theory
and Practice in the Art of Today, J-M Schaeffer, pp.77-88,
Witte de With, Rotterdam, Summer 1999
Where is your helicopter?, in
Felix vol.1, #3, edited by Kathy High, New York, 1993
Sorry, we already have an anthropologist,
in Art Papers, issue on Bifocal Borders, January - February,
1992
INTERVIEWS
Looking For Alfred (interview),
Camilla Jackson, Detox – By Any New Media, February 2005,
pg. 6-8
Email interview by Camilla Jackson (October 2004), Great
°57 (The Photographer’s Gallery), December
2004 -January 2005
Beware! In playing the phantom
you become one, An interview with Johan Grimonprez, in Saving
the Image: Art After Film, pp. 119-128, Centre for Contemporary
Art Glasgow, Glasgow, October 2003
(based on Interview with Johan
Grimonprez by Pierre Bal-Blanc & Mathieu Marguerin,
published in Blocnotes, Paris, 1998)
La réalité comme
page de publicité, Florence Montagnon, in Hardcore,
vers un nouvel activisme, pp. 112-117, Palais de Tokyo,
site de création contemporaine/ editions cercles d’art,
Paris, 2003.
Hyper Media, NY, 11 Septembre
2001, in Les Inrockuptibles #305, p.4, Paris, September
2001
Conversation: Johan Grimonprez
with Maurice G. Dantec , VOILA – le monde dans la tête-,
l’ ARC, Musée d’art moderne de la ville de
Paris, in Les Inrockuptibles,
pp.17-18, Paris, June 15-29 2001
Cyberjacking, Josée
Hansen, in D’LAND KULTUR,
p.31, Luxembourg, December 15 2000
Vom Sehen, Fliegen und Träumen
/ On Seeing, Flying and Dreaming, dial H-I-S-T-O-R-Y, von/ by
Johan Grimonprez, von/ by Hans-Ulrich Obrist, in Camera Austria
#66, Vrääth Öhner, Graz, September 2000
(also published in ARCO NOTICIAS,
number 15, pp 49-51, Madrid, September 2000)
Discusses the Meditation of
Catastrophe with Johan Grimonprez, Jean Wainwright, in Hotshoe,
2000
Geschiedenis op bestelling,
Interview met Johan Grimonprez, Domeniek Ruyters, in
METROPOLIS #4, Amsterdam,
August - September 1998
Supermarket History,
Catherine Bernard, in PARKETT
#53, 1998 (website)
Prends garde! A jouer au fantome,
on le devient, Pierre Bal-Blanc/ Mathieu Margerin, in
BLOCNOTES #15, summer
1998
Translated in Spanish and Gallician, Cuidado!
Si Juegas a los Fantasmas, Ilegas a Serlo or Cuidado! Se Xogas
A Fantasmas, Acabas Por Selo, Catalogue from CGAC,Santiago
de Compostela, 1998
Once the Terrorist had a name,
a conversation with Johan Grimonprez, while his movie dial H-I-S-T-O-R-Y
is shown at the Herzliya Museum of Art, Vered Maimon, in STUDIO
, April 1998
Een uur kaping - de aan de grond
genagelde vliegtuigen van Johan Grimonprez, Catherine
Van Houts, in Het Parool,
Belgium, February 19 1998
Johan Grimonprez verbijsterend
luchthartige visie op het wereldnieuws, Ineke Schwartz,
in De Volkskrant, February 4 1998
Dial H-I-S-T-O-R-Y, Mark
Sanders, in DAZED & CONFUSED
#37, London, December 1997
Video van Johan Grimonprez over
Nieuw Guinea bekroond, Herman Asselberghs, in De
Standaard, Brussels, November 13 - 14 1997
Dødens historie,
Lars Movin, in Information,
November 5 1997
Une vidéothèque
de Herman Aselberghs et Johan Grimonprez, Pascale Cassagnau,
in OMNIBUS, October 1997
Intervju med Johan Grimonprez,
Tiril Schrøder, Børre Sæthre and Tone Hansen,
in UKS - Forum for Samtidskunst,
N# ¾ 1997
Media houden terrorisme in leven,
Lieven Van Den Abeele, in De
STANDAARD, Brussels, May 31 - June 1 1997
Vlaamse film voor Kassel moest
in Frankrijk worden gemaakt, Lieven Van Den Abeele, in
De STANDAARD, Brussels,
May 31 - June 1 1997
Artistes vidéo (Nouvelles
génération), Entretien Stéphanie
Moisdon-Trembley, Jean-Yves Barbichon, in Nov'Art,
Paris, February 1997 |
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